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Kathaprasanga Ngo In Gobardanga West Bengal

Kathaprasanga Ngo Information

Kathaprasanga Non Governmental Organization is located in Gobardanga WEST BENGAL .

Registration Details

Registered With Registrar of Societies
Type of NGO Registered Societies (Non-Government)
Registration No S / 1L/ 45802
Copy of Registration Certificate Available
Copy of Pan Card Available
Act name West Bengal ACT XXVI of 1961
City of Registration Gobardanga
State of Registration WEST BENGAL
Date of Registration 25-06-2007

Foreign Contribution Regulation Act [FRCA] Registered? NO

Kathaprasanga NGO Organization Members

NameDesignationPanAadhaar
Bikash BiswasChief FunctionaryAvailableAvailable
Bikash BiswasChairmanAvailableAvailable
nilanjan bhowmickSecretaryAvailableAvailable
Ramesh chandra dasTreasurerAvailableAvailable
Jaydip AdhikaryActorAvailableAvailable
Bijoy PramanickActorAvailableAvailable
pranab biswasActorAvailableAvailable

Kathaprasanga Source Funds

Department NameSourceFinacial YearAmount SanctionedPurpose
culturalState2015-2016Not SpecifiedI & CA dept. govt of west bengal
noCentral2015-2016Not Specifiedno
noOverseas2015-2016Not Specifiedno
Not SpecifiedState2013-2014Not SpecifiedNot Specified
theatreCentral2013-2014Not Specifiedministry of culture
Not SpecifiedOverseas2013-2014Not SpecifiedNot Specified
Ministry of CultureCentral2016-2017372000Repertory grand
MINISTRY OF CULTURECentral2017-2018200000PRODUCTION GRANT
Not SpecifiedAny Other2018-2019Not SpecifiedNOT SANCTIONED
Not SpecifiedAny Other2019-2020Not SpecifiedNOT SANCTIONED

Contact details

Address Kathaprasanga C/o- Bikash Biswas Chatterjee Para, Gobardanga, North 24 Parganas, Pin- 743252, West Bengal
City Gobardanga
State WEST BENGAL
Telephone 03216-276184
Mobile No 9332552127
Website Url Not Available
E-mail bikashart(at)gmail[dot]com

Kathaprasanga Key Issues and Operational Areas, Major Activiities & Achivements

Operational Districts: North Twenty Four Parganas

Operational States: WEST BENGAL

AchieveMents: Gobardanga KATHA PRASANGA is out and out a fulltime theatre troupe and one of the most eminent groups of Bengali theatre fraternity, that has been devoted to the production and performance of theatre since 2000 and it would not be any exaggeration to say that KATHA PRASANGA, through all its successful stage performances in West Bengal as well as outside West Bengal, Seminars, Natya Utsav, and Theatre Workshops, has won a place of distinction in the theatre movement. This institution firmly believes that despite mixed influences of lost of media, stage performances of theatre definitely leave a lasting impression upon the present generations and can mould and nature the mind feelings of the theatre-lovers, to a great extent.However, KATHA PRASANGA starts its journey through the productions ‘Sankranti’ in the year 2001. Then presented it’s notable productions, like ‘Devotar Grass’ (Rabindra Nath’s pome), ‘Ukiler Buddhi’ ‘Monikatha’ (Workshop based production with school children), ‘Samudra Sowar’, ‘One-Two’, ‘Ukiler Budhi’, ‘Asukha Sattyam’, ‘Fakir Sekher Galpo’, ‘Ghoton Kothay?’, ‘Saatmaar Palowan’ etc.However, Kathaprasanga has laid especial emphasis upon mime production too because mime being a very powerful art form, has an universal message of its own. Keeping this in mind we made use of it in our productions i. e. Ramayana, Man & Machine, Thief, Weight Lifter, Blind, etc. and this successions of plays were a success. Since 2005, KATHAPRASANGA organizing school children workshops which as part of the Theatre In Education. (T.I.E) programme, under the active guidance of Rudraprasad Sengupta & Swatilekha Sengupta (Nandikar, Kolkata). KATHAPRASANGA performed many prestigious Natya Festivals like Nandikar’s National Theatre Festival, Natya Mela (organised by State Natya Academy, Govt. of West Bengal), Banipur Loko Utsav, etc. and others Natya Utsav in West Bengal. Now it is a reputed and reknowed Theatre Group in West Bengal. KATHA PRASANGA fervently believes that theatre is a platform where all art media can be and have to be used to intensify the message of the theatre, to make a support with the audience. So, our overall approach is never to copy any group or style blindly. But to stimulate the mind & consciousness of the generations of today who are going to be the shaper or the agent fo the future, before whom the abstract world of higher thoughts should be presented in a simple way through artistic presentations of personal, social & concrete situations. So that this humanistic art form would encourage their theatre activity, boost their awareness of values and create greater consciousness of their sense of culture, beauty, harmony and our quiet essential unity all sorts of diversities.


Key Issues

Art and Culture,