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Ranga Sri Little Ballet Troupe Ngo In Bhopal Madhya Pradesh

Ranga Sri Little Ballet Troupe Ngo Information

RANGA SRI LITTLE BALLET TROUPE Non Governmental Organization is located in BHOPAL MADHYA PRADESH .

Registration Details

Registered With Registrar of Societies
Type of NGO Trust (Non-Government)
Registration No 2/97-98
Copy of Registration Certificate Available
Copy of Pan Card Available
Act name ART AND CULTURE
City of Registration BHOPAL
State of Registration MADHYA PRADESH
Date of Registration 20-04-1998

Foreign Contribution Regulation Act [FRCA] Registered? NO

RANGA SRI LITTLE BALLET TROUPE NGO Organization Members

NameDesignationPanAadhaar
SMT NIRUPA JOSHIChief FunctionaryAvailableAvailable
SMT ANSHU VAISHChairmanAvailableAvailable
SMT NIRUPA JOSHISecretaryAvailableAvailable
SHRI SACCHIDANANDA JOSHIMemberAvailableAvailable
SHRI SANTOSH CHOUBEYMemberAvailableAvailable
SHRI RAM PRAKASH TRIPATHIMemberAvailableAvailable
SHRI DIPESH JOSHIMemberAvailableAvailable

RANGA SRI LITTLE BALLET TROUPE Source Funds

Department NameSourceFinacial YearAmount SanctionedPurpose
MINISTRY OF CULTURECentral2020-20211560000Salary Grant for Guru / Shishya
MINISTRY OF CULTURECentral2021-20221560000Salary Grant for Guru / Shishya
Not SpecifiedAny Other2023-2024Not SpecifiedSalary Grant for Guru / Shishya
MINISTRY OF CULTURECentral2022-20231560000SALARY OF GURU / SHISHYA GRANT

Contact details

Address PLOT NO. 1414, SHANTI MARG, SHAMLA HILLS, NEAR REGIONAL SCIENCE CENTRE,
City BHOPAL
State MADHYA PRADESH
Telephone 0755-2661325
Mobile No 9425004573
Website Url http://rangasrilbt.org
E-mail rangasrilbt(at)gmail[dot]com

RANGA SRI LITTLE BALLET TROUPE Key Issues and Operational Areas, Major Activiities & Achivements

Operational Districts: Bhopal

Operational States: MADHYA PRADESH

AchieveMents: The Little Ballet Troupe was founded in January, 1952 under the guidance of Shanti Bardhan in Mumbai. The formation as well as the name owed not a little to the freshness of vision and the bold spirit of experimentation which had characterized Shanti Bardhan’s work even in the earlier organizations to which he had belonged. It was shared in good measure by his colleagues. They realized truly that ballet, if it was to take its proper place in the life of the people, would have to draw inspiration predominantly from folk traditions instead of being cast, as heretofore, around on individual star performer trained in one or other of India’s several classical traditions instead of being cast, as heretofore, around an individual star performer trained in one or other of India’s several classical traditions. The adjective ‘Little’ in the title of the troupe referred neither to littleness of conception nor of artistic aim, but rather to a new and, in the prevailing atmosphere, a radical spirit of approach to ballet, which was visualized as a symbol of the highest degree of co-ordination and integration for a collective artistic purpose. Also it recognized that the Indian tradition of folk drama and the contemporary state of theatre in India, both demanded that mere extravagance of showmanship should be replaced by the economy characteristic of all true expression of creative genius. The band of founders was soon joined by other talented artists who were attracted by its seriousness of purpose and devotion to the ballet. The troupe began to function as a centre of training in the theatre arts especially dance, music and décor, in addition to its work as a performing professional company maintaining high standards of performance. In 1964, the Little Ballet Troupe shifted from Mumbai to Gwalior to continue as a professional company and to establish a training institution. Simultaneously, it reconstituted itself as an Institute of Theatre Arts, named Ranga-Sri Little Ballet Troupe, with provision for training as well as a regular performing company. The present repertoire of the troupe comprises 37 full length ballets, Manipur, Mayurbhanj & Seraikela Chhau dances under variety of short dance numbers which can be presented independently or in conjunction with any of the ballets. In 1984, Ranga-Sri Little Ballet Troupe shifted to Bhopal. The Madhya Pradesh Government has allotted 2 acres of land in Bhopal to construct its building. Ranga-Sri performed Bhoomi Poojan on 13th March, 1995. Shilanyas was performed on 16th December, 1995 and completed construction of Am-phi Theatre with auditorium capacity for 500 seats, green rooms, 2 side rooms of lights, curtain, sets etc. Also constructed rehearsal studio, store and 2 halls for museum of performing arts. The theatre was inaugurated by late President of India Dr. Shankar Dayal Sharma on 28th February, 1997. And the Theatre was named “Raagbandh” Ranga-Sri will carry forward following activities. a) Performing Dept. of Ballet and Drama which will continue to experiment, produce and perform. b) Three studios for practice and experiments. c) School of Ballet. d) Museum of Performing Arts. e) Dept. of Research in Ballet, Theatre & Orchestration. f) Dept. of costumes. g) General classes for imparting training in classical, traditional, ballet and Indian theatre. h) Good library on Art, Literature, Architecture, Sculpture, Theatre, Philosophy and History. i) Dept. of documentation both filming video and recording. j) Dept. for one year’s intensive training in Indian Theatre, Acting-Dancing and Singing combined. This memorial will be of the people, by the people and for the people.


Key Issues

Art and Culture,